HIT3

 

HIT: The 3rd Case is the third installment in the HIT series, and this time, Natural Star Nani plays the lead. Nani has been on a solid streak lately—not just as an actor delivering back-to-back hits, but also as a producer, backing films like Court. He has that relatable, common-man charm, and he often says he listens to stories as an audience member first, not with any box office calculations in mind.

However, lately, he seems to be making a serious effort to rebrand himself as an action hero—with films like Dasara, Saripodhaa Sanivaaram, and now HIT 3. This film feels like another attempt in that direction, but unlike his earlier efforts, it doesn’t quite land.

In his previous films, the strength of the story helped audiences accept him in intense roles. But HIT 3 lacks that grip. It feels like a mashup of various recent movies and internet stories, without a clear, fresh voice. Director Sailesh Kolanu had an interesting premise—mystery murders happening across India—but he failed to explore the characters deeply, especially the hero and the villain.

Nani plays Arjun Sarkar, a brooding, angry cop. But we never get a proper explanation for his rage. Is it childhood trauma? Personal loss? Without those layers, his character feels forced. For someone like Nani, who’s known for his boy-next-door charm and emotional depth, we need a well-written role to justify this kind of aggression—like in Saripodhaa Sanivaaram, where his intensity was rooted in a solid backstory. That kind of writing is missing here.

The villain is another big letdown. Why cast someone just because they’re tall and muscular when they can’t even speak proper Telugu? It’s not about appearance—HIT 2 had a villain who was just a regular dental doctor, yet he sent chills down the spine with his performance. That kind of impact comes from acting, not abs.

Also, I didn’t understand the need for so many cuss words. Is it to sound edgy? It just felt unnecessary. Big action films like KGF, Leo, or Vikram have intense violence and mass appeal, but they don’t rely on foul language to make an impact. It’s possible to be gritty without being vulgar.

Another misfire is the background music by Mickey J Meyer. I'm not sure who thought he was the right choice for an adrenaline-pumping action thriller. His music is generally soothing and melodic, which doesn’t match the mood this film needed. With the right BGM, several scenes could have had a lot more impact. Also, the track between Nani and Srinidhi Shetty feels too similar to something from a recent Venkatesh film. And that scene where Srinidhi uses AI to make Nani’s mother speak through an old photo? It was awkward and out of place. I don’t know how that made it past editing.

To be fair, the screenplay has its moments, especially in the action sequences. But overall, the film leans more on stylish stunts than strong writing or emotional engagement. The final sequence dragged on too long—I found myself checking my phone until the cameo appearances showed up. Introducing the HIT 4 hero at the end was a nice idea, but if Sailesh continues in this direction, it's going to be hard to build any real excitement around the series.

This film might still do decently at the box office thanks to Nani’s popularity. But as a movie, it’s just average.

My rating: 6/10